Drake & 21 Savage – His Loss (Album Review)

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Drake and 21 Savage form a winning combination in “Her Loss”.



Honorable mention. Privileged Rappers

Drake and 21 Savage kill them softly in “Privileged Rappers”.

I guess “Privileged Rappers” is a romantic song, isn’t it? In the song, Drake raps about running over women in banks, while 21 Savage raps about running over women in cars and giving them Johnson fried rice for lunch. I guess the duo uses their sexy vocals throughout the song. I guess the beat is sort of on some bedroom type shit. I guess women get excited when 21 wild raps about dying opps…

5. Major Cast

Drake and 21 Savage get dumber than Ted Cruz in “Major Distribution.”

After Duck plays a ghetto Ray Charles for about half a minute, “Major Distribution” turns into a bass bop that pays homage to Bad Bunny, Mekhi Phifer, Macaulay Culkin, Steve Francis, Andrew Wiggins and people who don’t call the cops when they get stuck. More than anything, the chemistry between Drake and 21 is what makes this track special. Like, they pass the wild relay around like it’s a rap relay.

4. On BS

Yo, I just had the best practice ever for “On BS!”

“On BS” features one of the easiest hooks of all time. Literally, 21 Wild says he’s on these bulls**t over and over again. The good news is this: the hook sounds great over the nifty trap beat that powers the song. Do you know what else sounds dope on the beat? Drake and 21 Savage talk trash and blatantly stick their chests out. Like, throughout their verses, they sound like they can level a chick more effectively than the Nets can level a roster.



3. Broke Boys

Someone needs to tell Drake that America was built by broke people like me!

Shots fired! In “Broke Boys,” Drake and 21 Savage make sure to let us know that our music is trash, that our Adidas gear sucks, that they’re ready to make us a Halloween outfit (by turning us into ghosts ), and they refuse to launch it with people who use CoinStar once a year. Although the meat of the song – which features a highly infectious hook, steady flows and a trap beat that would give a mad scientist a hard time – is what will grab your attention the most, don’t sleep on the thin little ass of the song which has lots of na na na boo boos and a menacing beat.

Yo, if we keep it real, Drake is a bully as shit (Yes, light-skinned people can be bullies too).

2. Rich flex

Of course, Drake and 21 Savage would come out in force to open this album!

Honestly I thought that His loss would feature about ten songs that sounded like that. “Rich Flex” features the kind of uptempo Southern beats that 21 Savage and Drake have found common ground on for years now. As expected, the former comes with a grim reaper/cold hearted/don’t wash his hands after taking ass just to drive his wife crazy with energy, while the latter comes with an adorable dude who turns into a gangsta when he hangs around with the energy of badass neighborhood kids.

1. Middle of the ocean

Drake is too rich, y’all. I can’t identify with a single bar he said in that song. What is a Masoney room in the Byblos? Is it a living room with color tv? In fact, what is the vava and the cinco sink? Kyrie, let me borrow your Oxford dictionary real quick!

Drake plays the ham in the most elegant way possible in “Middle of the Ocean”. Throughout the song, over two different sophisticated beats, he raps about his relationship with Robert Kraft, his top-notch fashion choices, his love for contract-signing and his high-priced appetite. While you may love Drake’s whimsical punchlines and cohesive flows, I’m not going to lie, his lyrics make being rich sound like a job.

Drake definitely swooned in this song. Believe me, he passed out drinking MacLellan number 6, not the MacLellan you can find at your local ABC store.


1. Rich Flex (4.5/5)

2. Major cast (4/5)

3. On BS (4/5)

4. BackOutsideBoyz (4/5)

5. Preferred Rappers (4/5)

6. U-Bout Spin (4/5)

7. Hours of silence (3.5/5)

8. Treacherous Twins (4/5)

9. Circo Loco (4/5)

10. Pussy & Millions (Ft. Travis Scott) (4/5)

11. Broken Boys (4/5)

12. Middle of the ocean (4.5/5)

13. Jumbotron Shit Poppin (3.5/5)

14. Over M (3.5/5)

3:00 p.m. on Glenwood (4/5)

16. Guess that’s the fuck of me (3.5/5)


GLOBAL MARK

(B-)

I love when Drake and 21 Savage bond. What’s cool about their relationship is that they’ve grown so much since their first collaboration on “Sneakin” a few years ago. That being said, in His loss, I love how petty, immature and goofy they are.

Do you know what I like about the beats on this album? A good chunk of them mix uptempo trap vibes with old-school R&B vibes or debonair hip-hop vibes. I always felt like I was 21 and Drake sounds great on both concoctions. I also thought that the samples the two rappers decided to use throughout the album were unique. For example, I never thought in a million years that I would hear a rap version of Daft Punk’s hit “One More Time” in which the lyrics were changed to emphasize the importance of oral sex.

Oh shit, I just got shaken! I was writing this conclusion when I realized that the girl on the cover of this album was looking at me like Mona Lisa. His eyes follow you, mate. Anyway, back to business…

I love me some 21 Savage, but let’s stay a heap: Drake absolutely wipes it out on this album. I feel like the self-proclaimed God 6 seems entertaining, vindictive, very cold, super competitive, extra snobby, and unusually ruthless. It also does a good job of experimenting with a bunch of unique singing flows and styles. In reality, I feel like Drake approached this draft like an NBA player who started shooting carefree for a 50-point game after his team won 30 points. , the guy who talks about shooting opps and having threesomes with his glizzy is the most relatable guy on this album). Plus, what 21 did on “3AM on Glenwood” was impressive.

His loss has club bangers, a Travis Scott feature, a trill-ass love song, one of the best rap performances of the year, Yeat flows, a Megan Thee Stallion sneak diss and the perfect amount of sinister atmospheres. Although I sincerely believe that listening to an album in which the stars make you feel like peons is probably bad for your health, it will definitely be your downfall if you don’t indulge.

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Raymond I. Langston